Monthly Archives: August 2012

Scatter Shot: Quadrophenia, Stormdancer, GoodReads

I haven’t made a post in a few days, mainly because I didn’t have a lot to specifically say. As I was trying to think of what to write about, I realized I should rip off John Martellaro, my friend and colleague at The Mac Observer.

He does something called Particle Debris, a weekly column where he throws in whatever he came across throughout the week that didn’t warrant a standalone article. I think I’ll call mine…Scatter Shot. That’ll do for now, at least. I can’t promise to do it weekly, but periodically seems doable.

Quadrophenia on Blu-ray by Criterion

I have been waiting for this since I learned what the Criterion Collection was! The company announced it was releasing Quadrophenia last month, and I immediately ordered the Blu-ray version. It shipped a couple of days ago. Man, oh man, but I can NOT wait!

Quadrophenia Frame

Jimmy’s Not Having a Good Day

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MacNotables Interview Posted

The awesome and fantastic Chuck Joiner of MacJury, MacNotables, and MacTV was kind enough to invite me on to an episode of MacNotables. He wanted my thoughts on the Apple-Samsung patent infringement battle, and I’ll be honest, I kind of went a little foamy at the mouth.

Listen in!

Mic

Image credit: Shutterstock


Partially Stoked!

The title is a lie, because I am totally stoked! On Monday morning, I got my first request for a partial! That’s publishing speak for when an author is asked to provide anything less than a full manuscript to an agent or publishing editor, and it’s the first possible step towards getting an agent.

Here’s what I sent him:

How can this not get me representation, right?! It’s illustrated!

Here’s how it works. An aspiring author—that’s me—sends a query letter to an agent. As mentioned in previous posts, I began sending out query letters about six weeks ago. This is a long, drawn out process for just about all new authors, and it can take many, many query letters and sometimes years of effort to finally land an agent, let alone a publishing deal.

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The Agony of the Synopsis, or How Not to Write a Synopsis

I’ve been pretty busy for the last few weeks, starting with sending out a new round of query letters. I’ve found five really kick ass agents to start with, with four queries still out there. With any luck, one of them will request a partial or the full manuscript, and I am hopeful.

Interestingly, the third agent I queried effectively wanted everything an agent might want: a query letter, a synopsis, the first three chapters, and a separate bio. Note that a query letter typically has a very short synopsis/description along with a short bio included, so there’s a little redundancy there, but that’s the nature of the beast.

In any event, I mention it because it turns out that writing a real synopsis is frakking hard. Taking a 119,000 word story and condensing it to 3,200 words while keeping some style, voice, and personality in it is just obscenely hard. You have to get all the major ups and downs of the plot, mention all the main characters—but not to many, mind you, and make sure you aren’t leaving anything out.

The Mason Truman Project - Synopsis

Artist’s Rendition of My Synopsis

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